Thaainilam review: A big heart, stretched very thin
Abhilash G. Devan's Sri Lankan war drama means well, but it stacks hardship on hardship so relentlessly that it forgets to keep you engaged.
Indian cinema.
Films watched closely. Praise where it lands, push-back where it's earned — never the trade-press shrug.
Abhilash G. Devan's Sri Lankan war drama means well, but it stacks hardship on hardship so relentlessly that it forgets to keep you engaged.
Sundeep Kishan's earnest librarian deserves better than Jason Sanjay's debut, a polished but stock heist of vaults, keys and pen drives that takes far too long.
A schoolboy accidentally locks a feared 1980s rowdy in a toilet, and Vijay Sethupathi and Sai Prithvi Raj spin it into something funny and moving.
Nivin Pauly and Soori carry Ram's odd fable about an 8,000-year-old immortal on a train, even as rough AI imagery undercuts its plea for every living thing.
Srikanth Odela builds a lived-in 1980s Secunderabad and Nani commits totally, but the film replays a worn mass-epic template through hours of numbing gore.
Hiphop Tamizha Adhi plays three generations of gaana dreamers. The crusade feels dated, but Baba Baskar and Ramya Ranganathan make the family story land.
Karthik Subbaraj's Dorothy pairs a light touch with unusually direct politics, superb long takes and moving performances from Sananth and Rishikanth.
Guru Somasundaram and Anumol make a buried honour-killing secret hurt, but Saraj Seelan's debut juggles three romances and lets its sharpest conflict drift.
Four sales recruits stumble into a kidnapping case. Thambidurai's comedy has an appealing cast and a clever use for their training, but takes time to get there.
A lively period mission and inventive action give this sequel plenty to enjoy, even as its conspiracy grows wordy and the final stretch runs too long.
Sailboat racing gives an old village rivalry fresh excitement, with bruising action and people worth rooting for, despite a few familiar dramatic turns.
Pugazh leads four pickpockets into a bungalow owned by an organ-trafficking doctor. Sajo Sundar Murugesan has the trap and keeps reaching for the gag instead.